Lighting is no longer just about illuminating a room; it is about making a statement. Luminaire Authentik has recently unveiled FORMA, a striking new collection that sits perfectly at the intersection of minimalism and postmodernism. With FORMA, light transforms into a visual language of its own. Image courtesy of: Luminaire Authentik The Beauty of the Visible In traditional lighting design, the mechanical details—the ceiling plates, connection points, and structural supports—are usually tucked away out of sight. The FORMA collection takes a radically different approach. What was once concealed is now completely intentional. Every single element is celebrated as part of a visible, interconnected system. Rather than hiding the hardware, FORMA embraces it, turning the structural components into the very core of the fixture's identity. An Assembly Language of Light Designed to act as a true "assembly language," FORMA is not just a static light fixture. It is a dynamic design concept that allows compositions to be built, reworked, and expanded to fit any space. Because no two spaces are exactly alike, every fixture in the collection is fully customizable. Designers and homeowners alike can tailor their lighting by choosing from a wide variety of: Colours and Finishes Wiring Options Glass Globes Whether a room calls for a simple, elegant accent or a complex, sprawling centrepiece, the FORMA collection adapts effortlessly. Rooted in Local Craftsmanship Beyond its striking postmodern design, the FORMA collection is deeply rooted in community craftsmanship. Luminaire Authentik designs and manufactures each piece in its dedicated workshop in Cowansville, Quebec. Taking their commitment to the environment and the local economy one step further, the brand prioritizes sustainable sourcing by obtaining its raw materials from within a 30-kilometre radius of its facility. Where to Find It Honest in its construction and endless in its possibilities, FORMA redefines how lighting takes shape in modern interiors. The collection is currently available to explore in-store and online at luminaireauthentik.com. About Luminaire Authentik Based in Quebec, Luminaire Authentik is a female-founded company that designs and manufactures made-to-order lighting fixtures for residential and commercial projects. Each piece balances material integrity, refined design, and local craftsmanship, reflecting a commitment to thoughtful production and enduring aesthetics. Press release source: v2com-newswire

Nestled in the heart of the UNESCO World Heritage district of Old Quebec, a historic building is embarking on an exciting new chapter. La Caserne, originally built in 1912 as a fire station and famously expanded in 1996 for Robert Lepage’s artistic laboratory, Ex Machina, has been transformed once again. Now home to the youth theatre company Les Gros Becs, this iconic space has been reimagined as a vibrant cultural hub designed specifically for young audiences. Image courtesy of: James Brittain The new design required expanding the site to include a 350-seat theatre and a multifunctional hall, all while respecting the deep historical roots of the surrounding city. The result is a masterclass in architectural storytelling—a smart, engaging space where the past and the future meet. A Dialogue Between Old and New The vision for the new La Caserne was built on conversation: a dialogue between the historic city and modern design, between the old fire station and the new theatre, and—most importantly—between the building and the youth it now serves. The transformation begins right at the street level. At the corner of Dalhousie and Barricade streets, a newly created piazzetta adorned with public art serves as a lively gathering space. It opens up the site to the surrounding landmarks, including the Musée de la Civilisation and the St. Lawrence River. The new additions feature clean, sober lines that act as a quiet backdrop, allowing the historic fire station—and its striking tower—to shine as a proud landmark in the city’s skyline. A Welcoming Journey To connect the public entrance on Dalhousie Street with the school group entrance on Bell Street, the architects carved a smart, open pathway straight through the preserved buildings. To signal the building's fresh, youthful identity, visitors are greeted by a striking blue glass door, paired beautifully with the original wooden doors. Once inside, the floor continues this vibrant blue theme, a subtle and poetic nod to the nearby St. Lawrence River flowing just outside. As visitors move through the heart of the foyer, an open staircase guides them upward, kicking off a playful and engaging journey: The Reveal: As you climb the stairs, the historic fire station tower gradually reveals itself through a beautifully glazed lantern ceiling. The Reading Room: Located on the second floor of the original fire station, this space is flooded with natural light from the building's tall, historic windows. The Multifunctional Hall: Up on the third floor, dormer windows pierce the west-facing roof, drawing natural light into the foyer, while a small triangular terrace offers administrative staff sweeping views of the river. Colours and Reflections The interior spaces are designed to capture the imagination of young audiences while paying respect to the original architecture. The designers achieved this through a clever use of materials and colours: Ground Floor: Mirrored stainless-steel walls reflect the movement of excited theatre-goers and mimic the grey stone of the original building. Second Floor: A metallic copper finish beautifully resonates with the historic orange brick of the original walls. Third Floor: Metallic gold tones and warm wood cladding answer the original wood of the historic roof. At the very center of the project lies the new theatre hall itself, which wraps its audience in a cozy, inviting atmosphere using four distinct shades of wood. Built for the Future La Caserne isn’t just beautiful; it is deeply rooted in sustainability. The architects embraced an ecological concept known as circularity—the practice of reusing and recycling existing resources rather than starting from scratch. Instead of tearing down the past, the new project integrates, renovates, and restores both the 1912 fire station and the 1996 Ex Machina building. The existing concrete and steel structures were preserved and strengthened, and the black granite from the previous building's exterior was carefully recycled. Finally, the new modern glass envelope was built with high-performance energy systems, ensuring that La Caserne is as durable and eco-friendly as it is stunning. By blending rich history with playful, sustainable modern design, the new La Caserne stands ready to inspire the next generation of theatre lovers for decades to come. Project Details Project name: La Caserne – scène jeune public Location: 103 Dalhousie Street, Quebec - 110 Bell Street, Quebec Client: La Caserne – scène jeune public Architects: SBTA Inc., Delort and Brochu Architectes Project team (design and construction): Dino Barbarese, Vladimir Topouzanov, Sophie Trépanier-Laplante, Christopher Dubé, Marc Pape, Anna Zakharova, Louis-Guillaume Paquet, Flavia Socol, Julien Denault, Geneviève Deguire, Cédric Delort, Jean Brochu, Caroline Vinatier, Ghislain Dubé, Hugo Sénéchal, Caroline Lévesque, Léa Pasquet, Jonathan Estrade, Pierre Lépine Structural/Civil: NCK Inc. Mechanical/Electrical: Dupras Ledoux Inc. Scenography: Trizart Alliance Acoustics: Bouthillette Parizeau Vertical transportation: JMCI Inc. Project management: WSP Artist (1% program): Jean-Robert Drouillard General contractor: Les Constructions Béland & Lapointe Construction budget: $24,672,000 About Saia Barbarese Topouzanov Architects (SBTA Inc.) Founded by Mario Saia in 1968, with Dino Barbarese and Vladimir Topouzanov joining as partners in 1987 and 2002, respectively, Saia Barbarese Topouzanov Architects is a firm dedicated to the practice of architecture and urban design. Clear concepts that structure even the most complex projects, the sense of conviviality they foster, the presence of light, and a contemporary architectural vocabulary all characterize the firm’s work. The office has diverse expertise in urban projects, collective housing, and institutional projects (universities, sports centers, theatres, etc.). Since 2013, Dino Barbarese has worked primarily as a Project Architect, and Vladimir Topouzanov as a Design Lead. Saia Barbarese Topouzanov Architects has completed numerous projects that have been recognized for their integration with the environment, quality of design, respect for the human scale, and operating efficiency. The most important Canadian, Quebec, and local organizations devoted to architecture and patrimony conservation have rewarded the firm with numerous prizes, including the Gold Medal from the Royal Architectural Institute of Canada, two Governor General’s Medals, and fifteen awards from the Ordre des architectes du Québec. Recognition of the firm also includes a Hue Award (San Francisco) and Wood Design Magazine; two Best of Canada Design Awards, Mitra Milan, and seven awards from Save Montreal and the Royal Architectural Institute of Canada. The firm’s projects have also been featured in publications in Canada and abroad, including in Argentina, Australia, Belgium, China, France, Germany, Holland, Italy, Korea, Russia, Spain, the United Kingdom, and the United States. Press release source: v2com-newswire

Great architecture does more than simply house people; it shapes how they learn, create, and connect with the world around them. Université du Québec à Montréal (UQAM) has long understood this, and the architectural community agrees. Recently, UQAM’s iconic pavillon de Design was awarded the Royal Architectural Institute of Canada’s (RAIC) Prix du XXe siècle, a prestigious honour that recognizes the most outstanding and enduring architectural achievements of the last century. Image courtesy of: UQAM Celebrating its 30th anniversary, the pavilion has not only stood the test of time but continues to be a vibrant, breathing heart of Montreal’s creative scene. Industrial Elegance Meets Urban Transparency Located at 1440 Sanguinet in the bustling Quartier Latin, the pavillon de Design was built between 1994 and 1995. It was brought to life by the visionary minds at Dan Hanganu Architects, with early collaboration from architect Gilles Prud’homme. The building is a masterclass in modern design. Dominated by sleek steel and expansive glass, it acts as a magnet for natural light. Through clever layers of transparency—using glass blocks and metal grilles—the architects managed to blur the lines between the indoors and the city streets. It is not a closed-off academic fortress; it is a public space that invites Montreal in. Adding to its dynamic facade is a striking piece of integrated art by Pierre Leclerc. A 12-square-metre galvanized steel structure featuring 72 glass panels, the artwork features movable elements that act as a canvas for graphic interventions and animated projections, perfectly mirroring the creative energy inside. A Building That Teaches The pavilion is home to UQAM’s École de design and the Centre de design. From its very conception, the building was meant to be an active participant in the students' education. Inside, the layout is purposefully designed to encourage the school's philosophy of "seeing and being seen." Flexible Layouts: Studio floors are cleverly woven with office and classroom levels. Dynamic Spaces: A mix of open voids and defined rooms animates the heart of the school, setting the rhythm for daily academic life. An Upward Journey: The generous architecture pulls visitors upward, culminating in a bright, expansive rooftop terrace. As Thomas-Bernard Kenniff, Director of UQAM’s École de design, notes, occupying this pavilion daily profoundly transforms how students and faculty teach, learn, and collaborate. The space actively fosters experimentation and cultural exchange. “Occupying this pavilion on a daily basis profoundly transforms the way we teach, learn, create, and collaborate. The spaces were designed to foster exchange, research and cultural activities, and experimentation. The RAIC award recognizes not only the architectural quality of the site, but also the extraordinary efforts of all those involved in the project over time. It celebrates the tangible impact its design has had on the academic and creative life of our École de design, as well as on the design community. This distinction carries particular significance as the École de design has just celebrated its 50th anniversary, while the pavilion marks its 30th year.” Thomas-Bernard Kenniff, Director of UQAM’s École de design A Legacy of Excellence The unique brilliance of the pavillon de Design is no secret. It earned the Ordre des architectes du Québec Award of Excellence in 1996 and the Governor General’s Medal in Architecture in 1999. The late Dan Hanganu, whose architectural and cultural legacy remains one of the most significant in Quebec, received numerous top-tier honours throughout his career, including an honorary doctorate from UQAM in 2015. Today, as the École de design celebrates its 50th anniversary alongside the building's 30th, the pavilion continues to serve as the ultimate display case for emerging talent. This is most evident during the Annuel de design, UQAM’s highly anticipated annual exhibition. Running from May 7 to 20, the event takes over all six floors of the pavilion, showcasing innovative graduation projects in architecture, object design, fashion, typography, and illustration. For 30 years, the pavillon de Design has proven that when a building is designed with openness, light, and community in mind, it doesn't just age—it thrives. Technical sheet & Credits Architects: Dan Hanganu Architectes Project manager: Gilles Prud'homme, architecte Collaborators: Guillaume de Lorimier, Earl Murphy, Rose-Marie Tariant, François Poirier, Marie-Danielle Faucher, Andrew Zygal, Alex Touikan, Viorel Indries, Radu C. Jean Structural Engineers: Boulva, Kadanoff, Saia, Deslauriers Mechanical and Electrical Engineers: La Société d'experts-conseils Pellemon inc. About UQAM Dynamic and innovative since its founding in 1969, UQAM was a pioneer in Quebec in integrating design as a field of university study. Whether in eco-responsible design, digital creation, visual identity, or interventions in public space, UQAM has trained more than 5,000 graduates in this field and has made its mark in Quebec and internationally. UQAM offers more than 375 programs across three levels of study to approximately 35,000 students. Its teaching and research span a wide range of disciplines: arts, communications, health sciences, social sciences, political science and law, science, management, and education. The University stands out for its multidisciplinary research, firmly rooted in its environment and communities, and positions itself as a highly creative institution committed to Montreal’s socioeconomic, scientific, and cultural development.' Press release source: v2com-newswire

The "Made in Canada" label on a piece of furniture isn't just a geographic fact—it’s a declaration of quality, ethical labour, and material integrity. But as international "fast-furniture" floods the market, the domestic industry is leaning heavily on an unsung hero to survive: Intellectual Property (IP). Forget tech giants and pharma; IP is the lifeblood of Canadian design. Without it, the "Made in Canada" standard would drown in a sea of generic, low-quality knock-offs. Here is why protecting original ideas is the only way the domestic furniture industry survives. The True Cost of Originality Canada will never be a cheap place to manufacture. Between fair wages, strict safety codes, and the high cost of premium materials, Canadian studios cannot compete on price alone. Their battleground is innovation. When a local designer spends months obsessing over the technical precision of a metal-to-wood joint, the acoustics of a room divider, or the ergonomics of a modern lounge chair, they are generating intellectual property. If overseas factories can take a screenshot of the final product and mass-produce a hollow imitation using inferior materials, the original creator is effectively subsidizing their competitor’s R&D (Research and Development). Industrial Design rights allow Canadian makers to legally own the "look and feel" of their work. It is the moat that protects their competitive edge. The Algorithm vs. The Artisan Design piracy is no longer just a problem of shady trade shows; it has been automated. "Scraper" bots scour social media for trending aesthetics, and within weeks, watered-down clones populate global e-commerce sites. For a bespoke millworker in Toronto or an independent design studio in Vancouver, this is an existential crisis. IP laws give these creators the "legal teeth"—like swift cease-and-desist power—to rip down infringing listings. Without it, local talent would be entirely defenceless against foreign mega-factories with limitless production scales. Trademarks as Trust When a client specs a piece from brands like EQ3, Gus* Modern, or Huppé, they are buying into a legacy of reliability. Trademarks protect that trust. If anyone could slap a "Canadian-designed" tag on a subpar product or mimic a respected brand's logo, the collective reputation of the entire domestic industry would collapse. IP law ensures that brand integrity remains intact, guaranteeing that when consumers pay for high standards, they actually get them. The Green Edge Modern Canadian design is heavily defined by sustainable and technical innovation. Think proprietary non-toxic finishes, advanced recycled materials, or modular hardware designed to extend the lifecycle of a piece. These invisible innovations take massive capital to develop and are protected by Patents. By giving companies exclusive rights to their breakthroughs for a set period, patents incentivize the push toward smarter, greener manufacturing rather than settling for wasteful, outdated methods. The Ripple Effect The Canadian furniture ecosystem—from the forestry sector and raw material suppliers down to the final retail floor—depends on high-value end products to support thousands of living-wage jobs. A thoughtfully designed piece is more than just wood, fabric, and steel; it is a compilation of ideas, technical rigour, and innovation. Protecting that IP is exactly how we ensure the survival of the industry that builds the spaces we live in. Without IP protections, furniture ceases to be a product of design and becomes a mere commodity—sparking a price-driven race to the bottom that high-standard Canadian manufacturers simply cannot win. Reference: Canada.ca (Intellectual property and copyright), Canada.ca (R&D and innovation)

Medical laboratories are often defined entirely by their complex, technical needs, leaving little room for architectural beauty. However, the new Montérégie Central Laboratory in Quebec completely rewrites that rule. Designed by the architectural firms NFOE and Archi–, this cutting-edge facility proves that high-tech infrastructure can be surprisingly elegant. Image courtesy of: James Brittain Located in an industrial park in Saint-Bruno-de-Montarville, this facility is the first off-site medical laboratory built for Quebec’s Optilab program. Instead of hiding its industrial purpose, the building embraces it, resulting in a design that is smart, efficient, and beautifully simple. A Monolithic Presence The architecture is defined by what the designers call a "monolithic" approach—a style that feels solid, singular, and grounded. The building is composed of large, superimposed blocks that are slightly offset from one another. This subtle shift creates a sense of movement, breaking up the mass of the building while maintaining a restrained and powerful presence against the open horizon. Clad in a deep anthracite brick, the exterior is both durable and precise. Rather than feeling like a closed-off fortress, the building is punctuated by "glass fissures"—vertical slices of windows that mark the entrances and guide people through the site. The Architecture of Flow Every inch of the laboratory’s spatial organization is born from the same logic: flow, containment, and precision. Inside, the floor plan is a physical map of a medical sample’s journey. From reception to processing, every room is positioned to support a "just-in-time" workflow. Because the lab handles sensitive biomedical work, the design meticulously separates different zones to ensure biosafety and operational efficiency. However, this high degree of technical complexity doesn't result in a confusing interior. Instead, the layout is remarkably clear and legible, making the daily work of staff easier and more intuitive. Clarity and Comfort While the program is highly specialized, the architects prioritized the human experience. The interior is designed to be a "clear, luminous, and comfortable" workplace, moving away from the windowless, sterile feel of traditional labs. Natural Light: Ribbon windows and glass openings wrap around the building, opening the laboratories to the surrounding landscape and flooding the halls with daylight. Visual Connections: These glass elements do more than let in light; they provide visual cues that help staff orient themselves within the large facility. Warmth in Detail: To balance the clinical nature of the equipment, areas dedicated to staff use warmer materials like wood, creating a sense of respite and encouraging collaboration. Sustainability Through Discipline The laboratory’s environmental performance isn't the result of trendy gadgets, but of a disciplined architectural philosophy. By focusing on compactness, durability, and reduction, the project naturally lowers its footprint. Key green features include: High-Performance Envelope: A tightly sealed exterior that maintains thermal comfort. Geothermal Energy: Utilizing the earth's natural temperature for heating and cooling. Long-Lasting Materials: Choosing brick for its low carbon footprint and its ability to age gracefully over decades. Built for the Future The Montérégie Central Laboratory isn't just smart in its layout; it’s also highly sustainable. Rather than slapping on flashy green technology as an afterthought, the building’s eco-friendly nature is baked right into its core. Its compact shape naturally saves energy, while high-performance windows, geothermal heating, and smart heat-recovery systems keep energy demands incredibly low year-round. Outside, the landscaping features rain gardens and retention basins that manage water naturally. Perhaps its greatest sustainable feature is its flexibility. The open, well-lit spaces are designed to easily adapt as medical technology evolves over the years. Between territorial logic, technical precision, and spatial quality, the project demonstrates how rigour itself can become an architectural language. Ultimately, the Montérégie Central Laboratory demonstrates that rigour itself can become an architectural language. By treating technical requirements as a creative challenge rather than a limitation, the team has created a space that is as flexible as it is solid—a building ready to adapt to the future of medical science while providing a high-quality environment for the people who power it. Project Details Project name: Montérégie Central Laboratory Project location: St-Bruno-de-Montarville, Quebec, Canada Opening: July 2025 Area: 6130 square meters Clients: Société Québécoise des Infrastructures / CISSS Montérégie-Centre Architects: NFOE | Archi- Project lead: Dominic Daoust, architecte associé NFOE, Charles-Antoine Perreault, architecte associé Archi- Engineering: AtkinsRéalis General Contractor: Décarel Landscape architect: Jacques Parent Image courtesy of: Stéphane Brügger, James Brittain About Archi– Founded in 1995, Archi– is a Montreal-based architectural firm that places the "program"—the specific function and needs of a building—at the absolute center of its creative process. Their approach is defined by a pursuit of clarity, creating architecture that is self-evident, essential, and easy to understand. Rather than relying on superficial trends, they find beauty in the internal logic of a project, where flow, site context, and technical precision dictate the final form. Specializing in complex institutional and industrial projects, Archi– has become a master of "monolithic" architecture—designs that feel solid, durable, and grounded. Their work is characterized by a "formal economy," meaning every gesture serves a purpose, whether it’s a subtle shift in volume to create movement or a strategically placed window to guide natural light. By balancing high-performance technical requirements with a deep sensitivity to the human experience, Archi– creates spaces that are as functional as they are poetic. For them, rigour isn’t a constraint; it is the very language that makes a building timeless. About NFOE Established in 1912, NFOE is a prominent Montreal-based architectural firm with over a century of expertise in designing complex, high-performance facilities. As one of Canada’s most enduring practices, NFOE has carved out a specialized niche in the science, technology, healthcare, and industrial sectors. They are widely recognized for their ability to master intricate technical programs, ranging from cutting-edge pharmaceutical plants and vaccine facilities (such as Moderna) to advanced university research hubs and integrated cancer treatment centers. Their philosophy centers on "inspiring designs and innovative solutions," achieved through a deeply collaborative approach. With a team of over 120 professionals across offices in Montreal, Laval, and Quebec City, NFOE balances the rigorous demands of biosafety, laboratory flow, and technical infrastructure with a commitment to sustainable, LEED-certified design. For NFOE, architecture is a tool to solve complex human and scientific challenges, resulting in spaces that are as functional as they are visionary. Press release source: v2com-newswire

Keeping a pulse on design shifts is essential for curating a modern space. Whether one is planning a complete renovation or a simple room refresh, understanding the latest aesthetic movements ensures that a space feels current rather than dated. This year, the focus is firmly on timeless elegance, historic architectural charm, and deep personalization. Here are 10 smart and accessible interior design trends shaping homes right now. 1. Warm Neutrals and Rich Jewel Tones The defining colour palette of the year blends flexibility with quiet drama. Warm, earthy neutrals serve as a highly versatile foundation. To create depth, designers are layering in moody jewel tones—think muted charcoal browns or saturated gem colours with a hint of gray. This combination delivers a classic, traditional impact that feels incredibly sophisticated. 2. Furniture Skirting The soft, whimsical look of skirted furniture is making a prominent return. From sofas and lounge chairs to ottomans and bed frames, adding pleats or soft ruffles introduces a traditional detail that beautifully softens a room's hard lines. 3. Layered Patterns Spaces are gaining rich visual depth through the clever mixing of patterns. The secret to this trend is maintaining a cohesive colour palette while varying the scale of the prints. Whether going bold with patterned walls and upholstery, or keeping it subtle with dynamic curtains and rugs, layered patterns make a home look truly unique. 4. The "Dressed" Interior Stark, stripped-back rooms are making way for fully finished, highly detailed spaces. Think chair rails, canopy beds, and layered accessories that echo the grandeur of historic estates. The result is a cozy, intentionally curated environment that feels complete without ever feeling cluttered. 5. Living Metal Finishes Hardware is being used to tell a story. Unlacquered brass and nickel are the metals of choice this year because they naturally patina and change over time. These warm-toned finishes weather beautifully with everyday use, bringing an enduring, classic feel to cabinetry, lighting, and doors. 6. Hand-Painted Tiles Kitchens, bathrooms, and laundry rooms are embracing an English cottage aesthetic through hand-painted tiles. Moving beyond the classic blue-and-white Delft style, these unique, artistic tiles now appear in warm browns and custom palettes. They add an organic, bespoke touch that feels both bold and deeply timeless. 7. Curated Personal Collections Homes are bringing personality back into the spotlight. Tastefully displaying personal collections—like an elegant wall of plates gathered over many years or a carefully arranged library of books—turns everyday items into beautiful focal points and natural conversation starters. 8. Deep, Dark Woods While light white oak remains a versatile staple for flooring, rich, dark wood tones are stepping forward in furniture and cabinetry. Mixing these deeper, historic wood finishes with lighter existing elements creates a sophisticated atmosphere that looks naturally collected over time. 9. Decorative Toe Kicks Standard, straight-edge cabinetry is getting an architectural upgrade with decorative toe kicks. Adding custom-patterned or gracefully shaped bases to kitchen islands, bathroom vanities, or even open shelving introduces a wonderful layer of historical charm to the millwork. 10. Colourful Art Matting Wall art is receiving a fresh, playful update with patterned and colourful matting. Instead of relying on standard white borders, framing art with colourful, fabric-wrapped, or painted mats is a simple way to inject unexpected energy and highly customized detail into a room's decor. This year’s trends prove that interior design is moving toward spaces that feel lived-in, loved, and rich with character. By layering thoughtful, historic details with modern sensibilities, it is entirely possible to create an environment that is both visually engaging and effortlessly timeless.

As cities continue to grow, a common question arises: how can we add more housing to quiet, established neighbourhoods without losing their unique charm? Image courtesy of: Félix Michaud Gabriel Fain Architects provides a brilliant answer with the Montrose Sixplex. Completed in 2026, this six-unit rental housing project in Toronto shows how smart design can gracefully add homes to a community while perfectly matching its existing character. Project Team Architect: Gabriel Fain Architects Interior Design: Unison Group Construction Management: Reside Properties A Familiar Face on the Street From the sidewalk, the main building of the Montrose Sixplex does not look like a typical apartment complex. Instead, it is designed with a classic gabled (pitched) roof, allowing it to blend seamlessly with the traditional houses next door. This familiar silhouette neatly hides the extra living space inside while maintaining the street's natural rhythm and scale. The exterior is wrapped in beautiful Belgian buff brick, giving the building a solid, timeless feel. The architects paid close attention to the details, using limestone windowsills and patterned brickwork to add depth and shadow to the walls. The entryways are clear but understated, ensuring the building maintains a calm, welcoming presence in the neighbourhood. Rethinking the Laneway The project does not stop at the street front. At the back of the property, two smaller laneway houses complete the collection. Even though they are smaller, they share the same design style and proportions as the main building, tying the whole project together. Instead of treating the back alley simply as a place to park cars, the architects turned it into a feature. The laneway houses are oriented toward nearby Bickford Park, transforming the space into a shared, welcoming "front yard" that connects the residents to nature. Light, Warmth, and a Show-Stopping Library Inside, the homes are just as thoughtfully designed. Created in collaboration with Unison Group, the interiors feature a cozy, minimal style built around warm light oak floors and tall, custom wood cabinets. Key interior features include: Seamless Indoor-Outdoor Living: Large, floor-to-ceiling sliding doors pull natural light deep into the open-concept rooms and blur the lines between the living spaces and outdoor terraces. Bright Staircases: A central staircase with glass railings keeps the spaces feeling open and visually connected across different floors. The Double-Height Library: On the second floor, the architects took full advantage of the pitched roof. They created a stunning, two-story library space complete with a built-in desk and a classic rolling ladder to reach the highest shelves. A Blueprint for Future Neighborhoods The Montrose Sixplex was born out of Toronto’s changing zoning rules, which now allow for more housing units in traditionally low-rise areas. Rather than just checking the boxes to meet these new rules, Gabriel Fain Architects used them as an opportunity for creativity. By continuing the shapes and materials of the surrounding neighbourhood, the project proves that adding density does not have to mean disrupting a community. Instead, it shows how modern rules can lead to beautiful, smart buildings that offer more housing options while respecting the streets we already love. About Gabriel Fain Architects Founded in 2016, Gabriel Fain Architects is a multi-disciplinary design studio operating at the intersection of architecture and urbanism. Recognized as a leading voice among a new generation of architects in Toronto, Gabriel Fain is pioneering innovative housing typologies, ranging from multiplexes and mid-rise buildings to reimagined tall buildings. The studio addresses the city’s diverse housing needs, including rental, affordable, and condominium living, by leveraging cutting-edge technologies and advanced construction methods such as prefabrication, light-frame construction, and mass-timber systems. Principal architect Gabriel Fain is licensed with the Ontario Association of Architects. He graduated from the Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto with a Master of Architecture degree and was awarded the prestigious Heather M. Reisman Gold Medal in Design. Gabriel is a frequent guest critic at the Daniels Faculty and speaks regularly in design forums, podcasts, and media about new housing typologies. Press release source: v2com-newswire

"If you look at my work, it doesn't have one distinct style, and that is because each of my clients has had such a wide range of likes and wants. I would like to be remembered for how I personalize one's home-making it feel like their own, but with intentional design decisions made." If her personality were a piece of furniture, she says she would be a big, wooden kitchen table. It is a fitting metaphor for an interior designer whose ultimate goal is to be approachable, comforting, and a unifying force for the people around her. For this designer, creating a beautiful home is not just about picking the right paint colour; it is about bringing people together through intentional, thoughtful design. A Foundation Built on Collaboration Long before she learned the rules of perspective drawing in college, her childhood was defined by imagination and teamwork. While she might not remember the very first physical object she ever made, she vividly remembers the group efforts: turning a friend's garage into a spaceship or a pioneer house, and even running an art camp for the neighbourhood kids when she was in the eighth grade. Her specific eye for design, however, comes from her grandmother. A painter with a highly unique and personal home, her grandmother taught her the value of meaningful spaces. It was the first house she experienced where every item had a story and belonged there for a reason. Today, she uses that same inherited vision to mentally picture how a space will come together long before the work is even finished. The Renovation That Changed Everything Every career has a tipping point. For her, it was the ambitious decision to gut and renovate her own home down to the studs—all while raising two toddlers and working at a design-build company. Realizing she was stretched too thin, she left her job to focus entirely on designing and managing her own house. It was a trial by fire. Acting as a project manager for the first time, she learned the harsh realities of construction, including navigating different personalities and managing a stressful, month-long delay caused by a 30-foot steel beam. Yet, this challenging roadblock pushed her to deeply understand the trades world. It solidified her dream of running her own business and taught her a crucial lesson: choosing the right people is the absolute most important part of any project. Classic, Clutter-Free, and Functional When asked to describe her style in everyday words, her answer is simple: "Classic and clutter-free." But her process is highly strategic. When starting a brand-new project, she doesn't begin with fabric swatches or tile samples. She starts by sitting down in the client’s space to talk about their daily routines. Using AutoCAD—a drawing tool she has relied on since her earliest portfolio—she focuses entirely on space-planning first. By prioritizing how a room physically functions, she ensures that the beautiful finishes and materials added later truly serve the people living there. While she always offers her honest, professional opinion on what works best, she deeply respects that the client is the one who has to live in the home. If she ever feels stuck during this creative process, her secret is simple: she steps away from the screen. A quick walk or a good meal is usually all it takes to reset her mind and find fresh ideas. The Person Behind the Blueprints Outside of work, she maintains a strong balance between her career and her family. Ironically, her favourite sanctuary is the very kitchen she designed during that stressful home renovation. When her kids are playing, she loves to zone out in her corner of the kitchen with some music, cooking, and baking. Because of this love for cooking, her favourite everyday objects are things like a good pan, a well-crafted knife, or a simple plate. She appreciates that these items can be designed beautifully, but also serve the vital, daily function of keeping our minds and bodies fueled. To keep her own creative mind fueled, she loves exploring clothing stores to see seasonal colour trends, and wandering through antique markets or bookstores to discover a mix of the old and the new. Looking to the Future Over the next five years, her main blueprint for life is straightforward: to build projects with people she connects with, and to bring homeowners joy and comfort in their everyday lives. Professionally, she hopes to eventually design a brand-new build from the ground up to experience full creative control and to expand into more commercial spaces. Ultimately, she doesn't want to be remembered for one specific, rigid "signature" style. Because every client is different, every home she designs is different. When people look back on her work, she wants them to see deeply personal homes—spaces made to feel like the client's own, built with intentional, lasting design decisions. Discover more about Parade Design Studio

This spring, the historic city of Montpellier, France, is preparing for a major milestone. From June 9 to 14, 2026, the Festival des Architectures Vives (FAV) returns to transform the hidden courtyards of the city’s private mansions into stunning displays of modern design. Image courtesy of: Atelier Mousqueton : Valentine Geoffroy & Delphine Lecomte This year marks the festival's 20th anniversary. To celebrate two decades of artistic innovation, the FAV is evolving its traditional format to focus on a powerful theme: Transmission. A New Generation Takes the Lead For this special anniversary edition, the festival is doing something unique. Instead of simply showcasing new talent, the FAV has invited standout teams from past years to step into a new role as mentors. This creates a beautiful, symbolic passing of the torch. By guiding a fresh generation of architects, these veterans are building a bridge between the festival's rich history and its exciting future. It is a gesture of deep trust, proving that great architecture is always a collaborative effort. Image courtesy of: Festival des Architectures Vives Weaving Architecture and Craftsmanship For the past two years, the festival has invited inspiring figures from outside the world of architecture to serve as patrons. This year, the honour goes to Julien Tuffery, head of the celebrated French textile house, Atelier Tuffery. At first glance, fashion and architecture might seem very different, but they share a common soul. Atelier Tuffery is a family business famous for passing down generations of textile skills. Julien Tuffery perfectly embodies the festival's values: a love for hands-on craftsmanship, technical mastery, and a deep respect for sustainable materials. By bringing a master of the textile industry into the fold, the FAV is highlighting that creating a lasting garment and building a lasting structure both require time, care, and the sharing of knowledge. Global Talent, Local Charm The 2026 edition will feature 40 architects bringing 13 incredible installations to life. The roster perfectly balances local roots with a massive international reach. Four of the French teams are based right in the Montpellier area, while five international teams are travelling from across the globe to participate. The 13 visionary projects and their diverse origins include: The Continuum as Space-Time (Quebec, Canada) 운지(雲紙) The Suspended Cloud (Seoul, South Korea) Liminality in Movement (Nara, Japan) Raconte Moi Un Secret (Portugal, Switzerland, Australia) Une Ombre Bleue Devient Une Relique (Genoa, Italy) Panache de Lumière (Montpellier, France) Sablier (Rodez, Paris, Clermont-Ferrand, Lyon – France) Transphères (Bordeaux, France) Vertigo (Montpellier, France) La Lyre et La Couronne (Paris, France) Mât-Tiers (Nice, France) Le Sens du Détail (Montpellier, France) Pop-Up Pavilion: Téisser (Montpellier, France) The Heart of the Festival: Hôtel Saint-Côme Among these remarkable installations, the Pop-Up Pavilion located at the Hôtel Saint-Côme holds a special purpose. Designed by Montpellier locals Laetitia Rejany and Iacha Perget, this pavilion is the welcoming heart of the festival. Open and inviting, it serves as a central gathering place where visitors can meet, chat, and soak in the festival's atmosphere. It will also feature a special merchandise stand offering exclusive items to commemorate the 20th anniversary. While visitors can start their architectural treasure hunt anywhere in the city, this pavilion at 32 Grand Rue Jean Moulin is the perfect place to begin. Building a Greener Future Great design must look forward, and the FAV is deeply committed to protecting the environment. The festival operates under a strict environmental charter, partnering once again with Mas Réemploi to champion sustainable building. Every team is encouraged and supported to use recycled materials in their designs. Mas Réemploi provides an online catalogue of reusable materials for architects to source from, and once the festival ends, they will collect the materials to put them back into the recycling loop. To take it a step further, every installation will undergo a carbon footprint assessment, and a special environmental award will be given to the team with the most innovative, eco-friendly approach. As the Festival des Architectures Vives opens its doors for its 20th year, it promises to be much more than an exhibition. It is a celebration of history, a masterclass in sustainability, and a beautiful reminder that the best ideas are the ones we share. Interested in diving deeper? Find additional information here. About the Festival des Architectures Vives The Festival des Architectures Vives (FAV) is an annual event in Montpellier that bridges historical heritage and contemporary design. Since 2006, it has invited the public to explore the city’s hidden private courtyards, transformed by ephemeral installations created by emerging architects. By opening these prestigious "hôtels particuliers," the FAV fosters a unique dialogue between the past and the future, making architecture accessible to all. Each installation is a site-specific experiment that challenges our perception of urban space. Celebrating its 20th anniversary in 2026 with the theme "Transmission," the festival continues to mentor talent and showcase the evolution of architectural practice through a free, immersive gallery experience across the city’s historic heart. Press release source: v2com-newswire

The renowned architecture and design firm Provencher_Roy is taking a major step to support the future of the built environment. The firm recently announced the launch of the Claude-Provencher Excellence Scholarship, an annual initiative designed to empower emerging talent in architecture and related design fields. Image courtesy of: Provencher_Roy Created to honour the profound legacy of co-founder Claude Provencher (1949–2022)—a leading figure in Canadian architecture—the scholarship seeks students who embody his core values: excellence, rigour, creativity, sustainability, and engagement. More Than Just Financial Support Valued at $15,000, the scholarship offers a unique launchpad for a university student looking to elevate their final academic project. However, the prize goes far beyond financial backing. The selected recipient will step directly into the professional world, receiving hands-on mentorship within the Provencher_Roy studios. This includes: A dedicated professional workspace. Access to specialized equipment, including model workshops and 3D printing technology. Continuous, one-on-one guidance from a senior design professional. "This scholarship reflects our commitment to carrying forward Claude Provencher’s legacy by supporting a new generation of designers who are driven to shape a thoughtful, sustainable, and meaningful built environment,” Sonia Gagné, Design VP, Principal Partner, and Architect at Provencher_Roy. Image courtesy of: Provencher_Roy A Platform for Innovation The scholarship serves as an incubator for fresh ideas. It is open to graduating students across a variety of disciplines, including architecture, environmental design, landscape architecture, urban planning, and interior design. The firm is looking for forward-thinking projects that push boundaries. Applicants are highly encouraged to explore pressing modern themes, such as: Artificial Intelligence in design Innovative materials Sustainable development Urban densification The chosen research project will not stay hidden in a studio; it will culminate in a public exhibition and a dedicated publication documenting the student's research process and outcomes. Who Can Apply? The scholarship is open to Canadian citizens, permanent residents, and international students enrolled in selected Canadian universities. There is no age restriction to apply. Important Dates to Remember For students eager to take their final projects to the next level, the timeline moves quickly: Application Deadline: May 17, 2026 Winner Announcement & Project Start: June 1, 2026 Midterm Presentation: December 2026 Final Exhibition: June 1, 2027 For more information and to submit an application, students can visit: provencherroy.ca/en/scholarship About Claude Provencher Co-founder of Provencher_Roy, Claude Provencher has profoundly shaped the Canadian architectural landscape since the late 1970s. Renowned for projects that are both ambitious and contemporary, yet deeply rooted in the human scale, he championed a humanistic and sustainable vision of architecture— one that combines rigour, boldness, and social commitment. Many buildings across Montréal and Québec bear his signature, including the World Trade Centre Montréal, the Reception Pavilion of the Quebec National Assembly, the Montréal Tower at the Olympic Stadium, the Claire and Marc Bourgie Pavilion of the Montréal Museum of Fine Arts, as well as the master plan for Technopôle Angus. Firmly convinced of the added value and lasting impact that architecture brings to the built environment, he advocated throughout his career for a vision of the city in which architecture holds a central role—forming the foundation of enduring beauty for generations to come. Through his pursuit of excellence and his determination to push boundaries, Claude Provencher shaped a practice now recognized for the richness and authenticity of its thinking, as well as for the rigour and quality of its achievements. About Provencher_Roy Founded in 1983 by Claude Provencher and Michel Roy, Provencher_Roy has grown into one of Canada’s most influential multidisciplinary firms. Today, the firm operates with a team of over 350 professionals across four offices, specializing in architecture, interior design, urban planning, and landscape architecture. From their early spotlight with the transformation of the World Trade Centre Montréal to their modern focus on net-zero challenges, the firm has remained dedicated to "human-scale" design. By organizing their large team into smaller, collaborative studios, they foster an environment where creativity and analytical thinking thrive. Their mission is simple yet ambitious: to create inclusive, sustainable, and meaningful spaces that improve collective well-being. Press release source: v2com-newswire

In the high-stakes world of hospitality renovations, the clock is just as critical as the aesthetics. Every delayed shipment and missed deadline translates directly to lost revenue and operational headaches. However, through the meticulous execution demonstrated by Kabana Group in this project, a large-scale renovation breathes new life into a property, elevating its market position and thrilling its guests. Image courtesy of: Kabana Group This was exactly the mandate for the Marriott Hotel in Hoffman Estates, Chicago. Tasked with a massive 295-key full renovation, Kabana Group was brought in to supply a complete interior package, navigating strict brand standards and an unforgiving timeline to deliver a stunning transformation. The Scope: Honouring Marriott’s Gold Standard To align with Marriott’s rigorous full-service hotel standards, every detail of the property needed to exude modern sophistication and durability. Kabana Group was entrusted with sourcing and supplying the complete interior package, which included: Comprehensive FF&E (Furniture, Fixtures, and Equipment) Architectural Finishes: Premium wallcoverings, flooring, and custom rugs Illumination: High-end guestroom and striking public area lighting Furnishings: Public area seating, communal tables, and window sills The results speak for themselves. The grand lobby now features breathtaking, sprawling golden light installations that draw the eye up, complemented by geometric room dividers and a stunning live-edge wooden communal table. The banquet spaces have been transformed into elegant, highly desirable venues anchored by crystalline chandeliers. Meanwhile, the 295 guest rooms were completely revitalized with sleek, mid-century-inspired wood finishes, calming watercolour-style murals, and modern workspaces that perfectly cater to today's travellers. To achieve this level of finish, Kabana Group conducted rigorous sample reviews, ensuring every material matched the expected quality, finish, and guest experience mandated by the Marriott brand. The Strategy: Precision Logistics and Local Sourcing While a beautiful design is the ultimate goal, the true challenge of a project this size is logistics. For the hotel’s ownership, timing was the absolute top priority. To prevent delays from crippling operations, Kabana Group orchestrated a masterclass in project management. They maintained airtight coordination across the entire supply chain—from manufacturing and sourcing to logistics and final installation. When global shipping threatened the schedule, Kabana Group pivoted intelligently. Key materials, such as upholstery fabrics, were sourced locally within the United States and air-shipped to manufacturing facilities to keep production timelines perfectly on track. The Bottom Line: 45 Containers. Zero Delays The success of a procurement partner isn't just in what they deliver, but how they deliver it. Over the course of the project, approximately 45 containers were shipped and delivered to the Hoffman Estates property exactly on schedule. By partnering with Kabana Group, the property ownership achieved a seamless renovation without a single delay. The strategic sourcing and flawless logistical execution allowed ownership to: Avoid unnecessary procurement premiums. Eliminate costly schedule overruns. Prevent the loss of room revenue associated with delayed openings. In the end, Kabana Group didn't just deliver exquisite furniture and lighting; they preserved millions of dollars in value, keeping a highly complex, large-scale project completely on track from the first sample to the final installation. About Kabana Group Kabana Group is a global interior solutions firm specializing in the end-to-end realization of high-quality interior spaces for the hospitality, commercial, and luxury residential sectors. Founded in 2003, the company has evolved from a fashion and furnishing brand into a comprehensive "one-stop shop" for interior architecture, bespoke furniture, and worldwide sourcing. With a footprint spanning India, China, Australia, Canada, and the United States, the group leverages its extensive international network and in-house manufacturing capabilities to deliver seamless turnkey projects. To date, the firm has delivered over 10 million square feet of interiors globally, serving a prestigious clientele that includes major hospitality brands such as Marriott, Hilton, and IHG. The organization operates on a philosophy that emphasizes execution and planning as much as aesthetic design. By managing every stage of the project lifecycle—from initial design consultancy and budgeting to manufacturing, logistics, and final installation—Kabana Group aims to eliminate the delays and complexities typically associated with large-scale interior developments. Through a "hands-on" problem-solving approach, the group positions itself as a strategic partner, working alongside clients to transform bold architectural concepts into functional, elevated environments.

Standing 302 metres tall, just a stone's throw from the Burj Khalifa, a striking new silhouette has officially joined the bustling heart of Dubai. Completed in late 2025, Wasl Tower is far more than just another glass skyscraper. Image courtesy of: Johnseye Photography Designed by architecture firm UNS in partnership with engineering consultant Werner Sobek, the tower represents a bold leap forward for urban design. By blending ancient regional materials with cutting-edge climate technology, Wasl Tower sets a new global standard for what a sustainable high-rise can achieve. The "Ceramic Cloak" In a city famous for its gleaming glass facades, Wasl Tower takes a beautifully traditional approach. The building is wrapped in one of the world’s tallest terracotta ceramic facades. This isn't just an aesthetic choice—it is a highly functional "cloak" designed to battle the harsh desert climate. Natural Cooling: Thousands of custom ceramic fins provide passive shading and capture high winds, reducing the building's cooling demands by approximately 10% compared to older towers. Dynamic Colours: Baked with a unique metallic glaze, the terracotta fins visually transform throughout the day as the sunlight shifts. A Living Light Show: At night, a custom system designed by Arup Lighting animates the facade with subtle shifts in tone, allowing the building to pulse in rhythm with the 24-hour city. A Twisting Vertical City Wasl Tower is designed to look like it is in motion. The architects used a "contrapposto" design—a term often used in classical sculpture to describe a figure shifting its weight. This twisting shape minimizes the building's exposure to direct heat while giving it a constantly changing profile depending on where you stand in the city. Inside, its sprawling 167,733 square metres act as a vertical community. It bridges the commercial hub of the Burj Khalifa with the vibrant street life of City Walk. A highly choreographed system of 17 elevators smoothly routes different users to their destinations, creating a seamless blend of luxury residences, offices, and elevated public spaces designed for dining and wellness. Smart, Healthy Engineering The commitment to the environment goes all the way down to the building's bones. Grounded in a "Good for the People, Good for the Environment" philosophy, the tower is packed with green innovations: Material Efficiency: An innovative structural design eliminated the need for many internal columns, saving a massive 3,000 cubic metres of concrete during construction. Energy Savings: Daylight-responsive systems and smart LED lighting cut energy use in perimeter zones by up to 20%. Healthy Interiors: The spaces prioritize natural daylight, feature CO2-based air ventilation, and incorporate sustainable finishes like regionally sourced granite and recycled acoustic panels. An Award-Winning Hospitality Experience A major highlight of the tower is the Mandarin Oriental Downtown Dubai. Divided into "vertical neighbourhoods," the hotel tosses out the traditional layout. Guests are welcomed at a breathtaking sky lobby on levels 35 to 37. Wellness retreats offer a quiet escape on levels 11 and 12, while late-night venues boast panoramic views from levels 61 and 62. The flawless integration of the hotel into the tower's broader ecosystem has already earned it the "Architecture: Hotel" award at the 2025 Identity Design Awards. Looking to the Future Wasl Tower is a testament to the idea that the future of architecture doesn't have to abandon the past. By reimagining a traditional, low-tech material like ceramic at a massive scale, the architects have created a building that is healthier for its occupants, kinder to the environment, and a stunning new landmark for Dubai's next century. Project Details Client: Wasl Group Location: Dubai - U.A.E. Building surface: 107,539 sq. meters Programme: Mixed-use; hotel, residential, offices, meeting centre, ballroom, spa and pools, F&B. Height: 302m. Status: completed 2025. Credits Lead consultancy design, Architecture, and Interior Architecture: UNS (Ben van Berkel, Gerard Loozekoot with Frans van Vuure and Nick Marks, Harlen Miller, Crystal Tang and Derrick Diporedjo, Machiel Wafelbakker, Dana Behrman, Roman Kristesiashvili, Filippo Lodi, Rene Wysk, Hans Kooij, Patrik Noome, Megan Hurford, Elizabeth White, Fernando Herrera and Aleksandra Sliwinska, Pietro Scarpa, Mihai Soltuz, Philip Wilck, Rutger Stefan Oor, Bao An Nguyen Phuoc, Nanang Santoso, Thomas van Bekhoven, Ka Shin Lu, Henk van Schuppen, Matthew Harrison, Jung Jae Suh, Jae Geun Ahn, Pieter Doets, Shankar Ramakrishan, Meng Zhang.) Contractual Partner, Lead Consultant, and Engineering: Werner Sobek AG Facade Engineering, Sustainability consultancy, Acoustic Engineering, MEP Engineering, Site supervision, and BIM discipline coordination: Sobek AG General Planning Structural Engineering AdvisorsFacade light Design: Arup, Amsterdam Architect of Record: U+A Architects, Dubai Structural Engineering Construction Model: DeSimone Consulting Engineering, Dubai Local MEP Engineering: Seed, Dubai Landscape Architect: Green4Cities, Vienna / Terra Firma Landscape, Dubai Cost Consultant: Kulkarni Quantity Surveyors, Dubai FLS Consultant: Aecom, Dubai Vertical Transportation: Dunbar & Boardman / TUV Sud, London AV/IT Consultant: Shen Milson Wilke Kitchen Consultant: Sefton Horn Winch Pool Engineering: Barr & Wray, Dubai Interior Design Hotel: GA Design, London, UK Interior Design F&B: LWD, Dubai Interior Light Design: DPA, London/Dubai Wind Engineering: Wacker Ingenieure About UNS Since 1988, when Ben van Berkel and Caroline Bos established UNS in Amsterdam, the firm has been driven by the singular vision to design spaces that shape the way people live, work, and connect. Today, UNS is a global design and consulting studio that goes beyond architecture. From interiors and product design to urban development, landscape design, and user experience, they create solutions that are as diverse as the challenges they face. With strategically located offices in Amsterdam, Shanghai, Hong Kong, Dubai, Frankfurt, Melbourne, and Austin, UNS is equipped to work seamlessly across the globe, bringing local insights to every project. With a passion for innovation at the heart of their work, their designs stand for quality, originality, optimism, and intelligence, and they take pride in building spaces that inspire, adapt, and endure. Press release source: v2com-newswire

In the world of modern interiors, "perfect" can sometimes feel a little cold. We’ve grown accustomed to factory-precise finishes and ultra-glossy surfaces that look great in photos but lack a certain soul. Clayhaus Modern Tile, the Portland-based studio known for its bold shapes and vibrant colours, is challenging that sterile perfection with its newest release: The Caldera Collection. Image courtesy of: Clayhaus Modern Tile Created by Clayhaus co-founder Jason Coleman, this collection is a love letter to the rugged, quiet beauty of the Oregon high desert. A Shift Toward the Earth For years, Clayhaus has been a go-to for designers seeking a "pop" of mid-century modern flair. However, Caldera marks a thoughtful shift in direction. Instead of neon-bright glazes, this series looks toward the John Day Fossil Beds National Monument and the iconic Painted Hills. The result is a palette of 24 matte glazes that feel alive. These aren't just colours; they are reflections of the landscape: Organic Hues: Soft tans, muted ochres, and dusty terracottas. The Red Stoneware Body: A newly developed specialty clay that gives the tiles a deeper, more grounded weight. Two Unique Finishes: Every colour is available in both a flat and a speckled finish, allowing designers to mix and match to create a subtle sense of movement across a wall. Texture You Can Feel One of the most striking things about the Caldera Collection is its tactile nature. In an era where so much of our environment is smooth glass and plastic, these tiles invite you to reach out and touch them. They possess a "perfectly imperfect" quality that feels authentic to the land that inspired them. “I’ve been enchanted by the desert since I was a teenager, when my family moved to Nevada, especially its subtle beauty, which sometimes seems lost behind what many see as a harsh landscape. I started experimenting with desert-like textures and colors, and it wasn’t long before I knew we had something special and personal." Jason Coleman, co-founder Clayhaus. By stripping away the complex patterns and letting geometric simplicity take the lead, the glazes themselves become the main event. Image courtesy of: Clayhaus Modern Tile Making it Personal What makes Caldera particularly special is that it was designed entirely in-house. It’s a personal project that grew out of Coleman’s own experimentation with desert-like textures. That passion is visible in the final product—a collection that feels less like a manufactured building material and more like a piece of the Oregon wilderness brought indoors. Whether used as a kitchen backsplash or a statement wall in a spa-like bathroom, the Caldera Collection offers a way to bring the grounding, calming energy of the high desert into the home. Discover the details. Download our exclusive guide below. Bring Caldera Home If you’re looking to add a sense of history and "place" to your next project, you can explore the full range of the Caldera Collection online. View the Full Gallery: www.clayhaustile.com Order a Sample Kit: Email info@clayhaustile.com or call 503-928-3076. About Clayhaus Modern Tile Clayhaus has been enhancing commercial and residential spaces since 2011, when the company was founded by life partners Jason and Megan Coleman. Clayhaus offers an expansive colour palette and a large number of unique and standard shapes, all handcrafted at the couple’s production studio located in Portland, Oregon’s Central Eastside Industrial Maker District. The Clayhaus name, and the company’s driving influence, derive from the Bauhaus movement and its impact on mid-century modern design. Clayhaus’ custom tile is featured in a high-profile New York City Times Square Subway station, in commercial and hospitality spaces of some of the world’s most iconic brands, as well as in countless boutique retailers and private residences across the United States and beyond. Clayhaus Modern Tile can be purchased direct to manufacturer or through local and online showrooms. Press release source: v2com-newswire

Peter Braithwaite Studio Ltd. is proud to announce the completion of B-FRAME, a residential project that defies traditional design-build hierarchies. What began as a collaborative student experiment has evolved into a sophisticated private residence that sits harmoniously within its rugged coastal environment. Image courtesy of: Ema Peter, Peter Braithwaite Architecture and Design: Peter Braithwaite Studio Ltd. Construction: Peter Braithwaite Studio Ltd. Structural Engineering: Andrea Doncaster Engineering Photographs: Ema Peter, Peter Braithwaite Image courtesy of: Ema Peter, Peter Braithwaite The Evolution of a Concept B-FRAME’s origin story is as unique as its silhouette. The project was initiated during an intensive two-week design-build course involving students from the Dalhousie School of Architecture. Originally envisioned as a public boathouse, the project underwent a metamorphosis during the building permit process, ultimately transitioning into a private residence that preserves its spirit through bold, innovative craftsmanship. Unlike traditional projects where design is finalized in a studio far from the site, B-FRAME was developed "through the act of building." The structure was shaped by the immediate physical realities of its location. The building rises naturally from a pocket in the bedrock, featuring a strategic "crack" in its floor plan to optimize solar orientation and frame expansive ocean views. Image courtesy of: Ema Peter, Peter Braithwaite Technical Exploration & Innovation Operating without the constraints of a traditional client or rigid timeline, Peter Braithwaite Studio utilized B-FRAME as a laboratory for architectural innovation. The project served as a testing ground for several bespoke building methods, including: Custom Prefabrication: The implementation of a specialized and modular panelized cladding system specifically engineered for site efficiency. Bespoke Glazing: Custom-built aluminum window walls designed to expertly and elegantly withstand the harsh, unforgiving coastal elements. Structural Artistry: An exploratory structural system that allows the home to integrate seamlessly with the rugged, rocky landscape. In-Situ Craftsmanship: A signature concrete bathtub, poured in place to create a durable, sculptural, seamless, and monolithic interior feature. Interior Harmony The interior offers a deliberate contrast to the rugged exterior. Clad in warm white oak with polished concrete floors, the atmosphere is one of grounded comfort. The heart of the home—the great room—is intelligently divided into three programmatic sections for gathering, eating, and cooking. Rather than using traditional partitions, the studio utilized varying elevations within the room to define these spaces. Each zone is meticulously aligned with specific environmental features, ensuring that the daily rituals of dwelling—whether cooking a meal or sharing a conversation—are tethered to the surrounding landscape. About Peter Braithwaite Studio Ltd. Peter Braithwaite Studio Ltd. is a Halifax-based architectural practice providing professional services across Nova Scotia, Canada. Operating as an integrated architecture and construction firm, the studio is defined by a dual commitment to design excellence and the highest levels of craftsmanship. With a diverse portfolio spanning multiple scales—including single and multi-unit housing, commercial developments, and hospitality projects—the firm strives to deliver built environments that enrich the lives of its occupants. Since its establishment in 2014, Peter Braithwaite Studio has earned numerous awards and honours, solidifying its reputation as a leading Canadian architecture firm and an exceptional builder.

Perched on the rugged edge of the Atlantic, Tide Bound stands as a sophisticated response to the volatile beauty of the Nova Scotian coastline. Image courtesy of: Ema Peter, Peter Braithwaite Architecture and Design: Peter Braithwaite Studio Ltd. (Lead: Peter Braithwaite, Abby Lawson) Construction: Peter Braithwaite Studio Ltd. Structural Engineering: Blackwell Structural Engineering Photographs: Ema Peter, Peter Braithwaite Designed and constructed by Peter Braithwaite Studio, the residence is a masterclass in architectural resilience, where the harsh realities of a maritime climate dictate a form that is as functional as it is evocative. Designed for the Surge The primary challenge of the site—coastal geology combined with extreme weather—informed the project’s most defining feature: its elevation. Rather than fighting the Atlantic’s power, Tide Bound is elevated on a series of slender stilts. This is not merely an aesthetic nod to coastal wharves; it is a vital defensive strategy. By allowing storm surges and relentless waves to pass unimpeded beneath the living quarters, the structure mitigates the destructive forces of the ocean. This design was "field-tested" early in the construction process when a hurricane struck the coast; the structure emerged unscathed, validating the studio’s commitment to thoughtful, site-specific engineering. Image courtesy of: Ema Peter, Peter Braithwaite Innovation in Isolation The project’s remote location and challenging terrain necessitated a departure from traditional utility systems. With no viable well for water, the studio integrated a sophisticated rainwater collection system directly into the home’s concrete core foundation. This "stereotomic" element serves a dual purpose: it provides a sustainable, self-sufficient water source while acting as a heavy anchor for the lightweight, cedar-clad gables above. Image courtesy of: Ema Peter, Peter Braithwaite A Vernacular Reimagined Visually, Tide Bound pays homage to the architectural heritage of the Canadian Maritimes. The residence comprises two distinct gabled volumes—reminiscent of traditional local fishing sheds—that separate the private sleeping quarters from the communal living areas. A central connecting link serves as the home’s circulatory and mechanical spine, creating a seamless transition between spaces while maintaining a clear architectural hierarchy. Inside, the minimalist palette of polished concrete and white walls directs all focus toward the expansive windows. These apertures act as frames for the ever-shifting coastal landscape, grounding the inhabitants in the rhythm of the tides. In Tide Bound, Peter Braithwaite Studio has created a sanctuary that does not merely overlook the wild—it exists in a resilient, poetic dialogue with it. About Peter Braithwaite Studio Ltd. Peter Braithwaite Studio Ltd. is a Halifax-based architectural practice providing professional services across Nova Scotia, Canada. Operating as an integrated architecture and construction firm, the studio is defined by a dual commitment to design excellence and the highest levels of craftsmanship. With a diverse portfolio spanning multiple scales—including single and multi-unit housing, commercial developments, and hospitality projects—the firm strives to deliver built environments that enrich the lives of its occupants. Since its establishment in 2014, Peter Braithwaite Studio has earned numerous awards and honours, solidifying its reputation as a leading Canadian architecture firm and an exceptional builder.

When a property owner purchased two side-by-side semi-detached, multi-unit homes on Gerrard East, the goal was simple: build two park-side laneway suites as premium rental properties. But what started as a standard property investment quickly evolved into a masterclass in neighbourhood collaboration. Image courtesy of: Lanescape After reaching out to the adjacent neighbour, who was also looking to maximize their lot's potential, a unique partnership was formed. Two clients, three properties, and one unified vision culminated in the Norwood Park Laneway Suites—a stunning tri-suite development designed by the architectural team at Lanescape. The project perfectly illustrates how multiple homeowners can pool their ambitions to seamlessly integrate new, high-quality housing into an existing neighbourhood, creating a striking, uniform design across three separate properties. A Masterpiece of Modern Exterior Contrast From the laneway, the three suites present a rhythmic, unified facade that punches far above the typical backyard build. The exterior architecture relies on a masterclass in textural and tonal contrast. Traditional, warm red brick grounds the structures, nodding to Toronto's historic residential vernacular. Above, sleek, standing-seam black metal cladding wraps the upper levels in a bold, contemporary shell. To soften the industrial edge, pronounced vertical wood-slat detailing defines the entryways. At dusk, integrated exterior lighting casts a warm glow against the wood, creating an inviting, natural curb appeal that draws you inside. Large, black-framed windows punctuate the facade, offering tantalizing glimpses of the bright interiors while reflecting the surrounding neighbourhood canopy. The "Reverse Layout" Advantage Designed to maximize their prime location overlooking Norwood Park, the suites employ a brilliant "reverse layout" to prioritize natural light and views for the active living spaces. The Ground Floor Sanctuary: Intentionally designed for privacy and rest, the ground floor houses the bedrooms and full bathrooms, all nested efficiently around a central corridor. Essential but utilitarian elements—like laundry, mechanical systems, and storage—are cleverly tucked beneath and around the staircases to maximize livable square footage. Light oak flooring runs throughout, keeping the lower level bright and airy. The Upper Floor Oasis: Ascending to the second level reveals a sprawling, open-concept hub. By placing the kitchen, dining, and living spaces on the top floor, the design captures abundant natural light and sweeping park views. Massive black-framed sliding glass doors open up to private balconies, seamlessly blurring the line between indoor and outdoor living. Curated Interiors: Scandinavian Serenity Meets Bold Accents The interior finishes mirror the exterior’s modern elegance, acting as a blank canvas with strategic pops of personality. The Chef's Kitchen: The heart of the upper floor features a massive, white quartz-topped peninsula island that doubles as a casual dining space. Flat-panel, greige cabinetry offers a minimalist, clutter-free aesthetic, complemented by modern matte black dome pendants and a sleek black gooseneck faucet. Living & Workspace: The living areas are designed for effortless flow, easily accommodating mid-century modern credenzas, plush seating, and textured woven rugs. The layout also smartly carves out space for dedicated home offices—featuring long, sun-drenched desks positioned under wide horizontal windows, perfect for remote work. Architectural Stairs: The transition between floors is an event in itself. Open-riser wood steps are flanked by a sleek, frameless glass balustrade and set against a moody, dark grey accent wall, turning the staircase into a central sculptural feature. Bespoke Bathrooms: The bathrooms offer two distinct vibes. The primary full baths are bright and spa-like, featuring floor-to-ceiling vertical textured tiles, clean white vanities, and matte black shower fixtures. In contrast, the upper-level powder rooms inject a dose of playful drama, wrapped in a bold, tropical palm-leaf wallpaper and finished with a modern floating trough sink and an oversized pill-shaped mirror. By the Numbers: Specs, Costs, and Timelines Building three units in tandem allowed for a cohesive exterior, but the interiors were tailored to the respective lots and client needs: The Primary Investor's Units: Two expansive suites, each clocking in at approximately 1,500 square feet, featuring 3 bedrooms and 2.5 bathrooms. The Neighbour's Unit: A slightly more compact but equally luxurious suite at roughly 1,100 square feet, offering 2 bedrooms and 2.5 bathrooms. For homeowners inspired by the Norwood Park project, setting realistic expectations is key. High-end laneway developments of this calibre typically range from $350 to $500 per square foot. Because economies of scale come into play, larger units generally fall toward the lower end of that spectrum. However, site conditions, material choices, and luxury finish upgrades heavily dictate final costs. The timeline for a project of this scale requires patience but moves efficiently once the groundwork is laid. On average, the collaborative design and building permit process takes about 4 months, followed by a 7.5-month active construction phase. Image courtesy of: Lanescape The Future of the Laneway The Norwood Park Laneway Suites are more than just a smart real estate investment; they are a blueprint for community-driven urban density. By working together, these neighbours didn't just build backyard apartments—they built a striking, cohesive architectural landmark that elevates the entire laneway and sets a new standard for multi-property collaboration. Curious to see if you could qualify for a laneway or garden suite? Click here for a free virtual report! About Lanescape Lanescape is a group of planning, design, and development professionals who have long considered laneway and garden suite development to be a potential resource and opportunity for the City of Toronto to thoughtfully improve housing options in existing residential neighbourhoods. In 2014, Lanescape set out to crowd-source an as-of-right zoning policy that would allow homeowners to easily and affordably build laneway suites. We, like many Torontonians, needed help affording our mortgages, aging in place, and finding family-oriented rental options near parks and schools. After 4 years of tireless effort consulting with communities, planning professionals, city staff, and municipal leaders, our dream became a reality when the City of Toronto approved and implemented as-of-right laneway housing by-laws in the summer of 2018. Over the course of our advocacy efforts, our expertise in design and construction was integral to our success. With the Changing Lanes policy now in place and the Garden + Suites project well underway, our experience in establishing the by-law now informs our design-build approach, establishing our team as the leading authority on laneway and garden suite development. Lanescape’s fundamental mandate, centred on thoughtful, positive and sustainable development, continues to permeate all facets of our practice throughout our ongoing advocacy efforts, approach to design and methods of construction delivery.

Éclos® introduces a new category of mineral surfaces with zero crystalline silica, a high proportion of recycled material, and a breakthrough layered design system enabled by Inlayr® technology. The innovation is the result of extensive research and testing, including more than 28,000 hours of R&D and over 1,500 hours of product testing by Cosentino’s Research, Development, and Product teams. Image courtesy of: Cosentino Group Cosentino, a global leader company in the production and distribution of innovative surfaces for architecture and design, announces the global launch of its new mineral surfaces brand, Éclos®, developed for the kitchen and bathroom countertop market. This launch marks a milestone for the industry by introducing an entirely new category: the Inlayered Mineral Surface, based on Cosentino’s proprietary Inlayr® design technology. Éclos® combines high physical and mechanical performance with a fully integrated 3D design and a crystalline silica-free composition, while incorporating more than 50% recycled materials. This innovation reinforces Cosentino's ongoing commitment to sustainability and fabricator safety. “Since our founding, we have been committed to leading innovation rather than following trends. Just as we did with Silestone®, Dekton®, and more recently with Hybriq+® technology for Silestone®. Éclos® represents a new turning point for our industry, an evolution that responds to real market needs and anticipates the future”, says Pilar Cosentino, Cosentino Group CEO. Like Silestone® in 1990 and Dekton® in 2013, Éclos® represents a paradigm shift in the evolution of surfaces for architecture and design. Its development, which involved 50 specialized researchers across multiple disciplines and required more than 28,000 hours of research and over 1,500 hours of testing, was primarily conducted by Cosentino’s R&D and Product departments. Inlayr® Technology: layered design with 3D realism Inlayr® technology enables Éclos® to be manufactured using a layered design system. Through advanced robotics engineering and innovative decoration techniques, the technology delivers a three-dimensional design throughout the entire surface, featuring distinctive veining, depth and visual consistency. The result is a surface with integrated 3D design through edges and faces, offering realistic aesthetics and a natural touch and feel that redefine industry standards. Pioneering composition: zero crystalline silica and almost 90% recycled material Éclos® also introduces a groundbreaking development in the composition of mineral surfaces. The first collection, which is available globally and available in Canada this spring, features a formulation with zero crystalline silica. All colours contain a minimum of 50% recycled materials, with several colours incorporating nearly 90% recycled content, demonstrating Cosentino's commitment to circularity and responsible material innovation. Its composition and newly developed formulation provide Éclos® with enhanced flexibility, ductility and impact resistance, making it easier for fabricators and industry professionals to handle and install. Additionally, Inlayr® technology enables Éclos® to deliver superior heat resistance, withstanding temperatures up to 220 °C (428°F), including direct contact with cookware immediately after use. This performance makes it an ideal solution for kitchen countertops and other high-performance applications. Image courtesy of: Cosentino Group A paradigm shift in a changing global industry At a time shaped by protectionist policies, tariff disputes, and growing concerns about the safety of materials like quartz, Cosentino is once again at the forefront of the industry with Éclos®. This new surface category aims to transform the sector by offering a safe, sustainable, aesthetically advanced, and high-value alternative. According to recent reports, the global countertop market is expected to grow at an annual rate of 3% through 2028, reaching $50 billion and 650 million square meters. Of this total, approximately 100 million square meters will be mineral and porcelain surfaces. North America is expected to remain the largest market, while the strongest growth is forecasted in Asia-Pacific, the Middle East, and developing countries. About Cosentino Group Cosentino Group is a global family-owned company that produces and distributes high-value innovative surfaces for architecture and design. As a leading company, Cosentino imagines and anticipates, together with its customers and partners, design solutions that offer value and inspiration to people’s lives. This goal is made possible by pioneering brands that are leaders in their respective segments, such as Silestone®, Dekton® and Sensa by Cosentino®. The group bases its development on international expansion, an innovative research and development program, respect for the environment and sustainability, and its ongoing corporate commitment to society and the local communities where it operates, education, equality and health & safety. Cosentino Group currently distributes its products and brands in more than 110 countries, from its headquarters in Almeria (Spain), and is present with its own assets in 30 of them. The group has eight factories (seven in Almería, Spain and one in Brazil), one intelligent logistics platform in Spain, and 140 commercial and business units throughout the world. Cosentino has seven centres and three showrooms in the Canadian market, created for exclusive display, distribution, education and service in Montreal, Stanstead, Ottawa, Toronto, Winnipeg, Calgary, and Vancouver. More than 90% of Cosentino Group’s financial turnover comes from international markets. References: Cosentino Group, Cosentino Canada News.

Tera Vie Developments’ boutique fourplex explores a new model for family-sized housing in Toronto. Image courtesy of: Tera Vie Developments Toronto’s housing landscape has long been defined by two dominant forms: high-rise condominium towers concentrated along major arterial corridors and expansive residential neighbourhoods zoned primarily for single-family homes. Between these two extremes lies a category often referred to as the “missing middle” — low-rise, medium-density housing such as duplexes, triplexes, fourplexes, and townhouses. In recent years, Toronto has begun to embrace multiplex housing through zoning reforms aimed at expanding housing options within established communities. Projects like South of Evans, a four-unit development in Etobicoke’s Alderwood neighbourhood, demonstrate how this approach can introduce family-sized homes while integrating thoughtfully into existing neighbourhoods. Designing Multiplex Housing That Feels Like a Home From the outset, the architectural vision behind South of Evans focused on making multiplex living feel closer to a traditional house. “Missing middle housing has to feel like a home. That is not always easy with a three-storey form and stacked units” Craig Race, Architect The design team was tasked with creating homes that reflect the low-rise character of the surrounding neighbourhood while embracing the efficiency of vertical living. Each residence incorporates many of the features typically associated with detached homes. Every unit includes a private front door facing the street, an entry foyer with a closet, a dedicated outdoor space, and private parking. Inside, carefully planned layouts prioritize open-concept, multi-functional living areas that provide flexibility for families while maximizing usable floor space. The goal was to balance the familiarity of a single-family home with the efficiency and practicality of multiplex housing — creating residences that feel independent while sharing a compact urban footprint. Image courtesy of: Tera Vie Developments A New Approach to Missing Middle Development Recent zoning reforms in Toronto have created new opportunities for multiplex housing by allowing projects like South of Evans to proceed as-of-right, without the need for lengthy rezoning processes or additional approvals. For the development team, this regulatory clarity played an important role in advancing the project. “Toronto has been embracing multiplexes with new zoning bylaws and cost exemptions that allow for more stable population distribution in existing neighbourhoods. By following the rules, we were rewarded with fast, predictable outcomes” Kaustubh Shekhar, Tera Vie Developments The building was carefully designed to meet municipal requirements for height, setbacks, and building size while remaining compatible with the surrounding streetscape. By working within the framework of the new policies, the project demonstrates how multiplex housing can be delivered efficiently without compromising livability or neighbourhood character. These reforms are also reshaping who can participate in housing development. Historically, most new housing has been delivered either by large institutional developers building high-rise towers or by individuals constructing single-family homes. Multiplex zoning has begun to open the market to small and mid-sized developers, enabling them to contribute meaningfully to the city’s housing supply. “These new housing options are creating a new class of developer. It is now possible for a small business to deliver a meaningful number of housing units thanks to more reliable and efficient housing policies” Luka Paradin, Tera Vie Developments Integrating With the Neighbourhood While South of Evans introduces additional density, the project was carefully designed to integrate with the existing urban fabric of Alderwood. Site planning aligns the building façades with the consistent setbacks found along the street. At the same time, generous side and rear yards preserve the pattern of open space between homes that characterizes the neighbourhood. Although Toronto’s multiplex bylaw does not require parking, the project includes a side driveway with dedicated surface parking for each unit, reflecting the needs of homeowners in this part of Etobicoke. At the same time, the design acknowledges that neighbourhoods must evolve to accommodate population growth. “We were not designing to replicate the past. The project may be taller than some existing homes, but that allows four families to live on a site where previously there might have been only one” Samuel Matarazzo, Tera Vie Developments Video courtesy of: Tera Vie Developments This balance between respecting neighbourhood patterns and introducing gentle density lies at the heart of the missing middle approach. Designing for Comfort and Liveability A key priority throughout the design process was ensuring the homes provide the everyday comforts residents expect from traditional houses. “Entry foyers, back yards, ensuite bathrooms, pantries, and powder rooms are the things you notice right away when you walk in the door” Craig Race, Architect Behind the walls, however, careful technical planning ensures the homes function well as independent residences. Sound attenuation between units, privacy from neighbouring views, and separate mechanical systems were all essential considerations. Utilities, mail access, waste management, and climate control systems were designed so that each unit operates independently, reinforcing a sense of autonomy and ownership. These details may not be immediately visible, but they are critical to creating a lasting feeling of comfort and pride of ownership. A Space Designed for Living For the design team, the most successful aspect of South of Evans is the living spaces themselves. “The large open-concept living, dining, and kitchen areas are noticeably more spacious than a condo at a similar price point” Kaustubh Shekhar, Tera Vie Developments Bright yet private and efficient yet generous, these spaces provide families with the comfort of a house within a more compact urban form. South of Evans ultimately represents a small but meaningful step toward a more balanced housing landscape in Toronto — one where gentle density, thoughtful design, and human-scale architecture expand the range of homes available across the city. Experience the blueprint of the future. Click Here! About Tera Vie Developments Inc. Tera Vie Developments Inc. is more than just a construction company; it is a collective of innovators, builders, and champions of thoughtful urban growth. The firm specializes in crafting transformative infill developments that address the "missing middle"—reimagining underutilized spaces into vibrant, multi-residential communities that enhance the existing fabric of local neighbourhoods. Guided by a commitment to quality craftsmanship and sustainable design, Tera Vie approaches every project with passion and precision. From advanced sound attenuation to private outdoor spaces, the company focuses on the "creature comforts" that turn a structure into a home. At Tera Vie, every building tells a story of integrity, vision, and an unparalleled dedication to excellence.

Situated on an unusually deep lot in the heart of Toronto’s vibrant Junction neighbourhood, the Junction Triangle House is a story of radical transformation. Image courtesy of: 5VS Studio What was once a fragmented 19th-century shell—deteriorating, outdated, and severed from its "fairy-tale" garden—has been reborn as a luminous, future-proof sanctuary designed for multi-generational living. Committed to their neighbourhood for the long term, the homeowners envisioned a residence that could evolve over decades. The brief required a complete structural and spatial overhaul: a home that could host aging parents and large family gatherings while providing intimate, quiet corners for a modern household. The Architecture of Light A sophisticated dialogue between compression and openness defines the home’s redesign. This is most evident at the home’s "sculptural spine"—a dramatic three-storey atrium featuring a floating, perforated metal staircase. This central void acts as a light well, capturing the shifting choreography of the sun through the east-facing glazing and the western skylights. In the morning, the kitchen and dining areas are bathed in a soft glow, welcoming the day with warmth and openness. A Fluid Social Heart The ground floor transitions from a compact, functional foyer—screened by vertical wooden louvres—into a series of distinct yet fluid zones. At the front, a formal lounge anchors the original volume, while the kitchen serves as the social engine of the home. Designed for both conversation and culinary craft, the kitchen features a long breakfast bar and a cozy built-in nook framed by a full-height window. A peninsula with an integrated sink overlooks the south-facing family room, where a piano anchors the space and large sliding doors dissolve the boundary between the interior and the lush, tiered backyard patio. The "Child’s Realm" and Hidden Whimsy One of the project’s most enchanting moments is found on the second floor. Beyond a rose-colored hallway with a low, arched ceiling lies a "hidden realm" for the family’s youngest member. This lofted bedroom features a secret staircase integrated into the closet millwork, leading to a private attic playroom tucked beneath the sloped roof—a whimsical retreat that is both secretive and deeply connected to the home’s core. The Primary Retreat In contrast to the playful energy of the child’s quarters, the primary suite—located in the new rear addition—is a study in serenity. A dramatic vaulted ceiling provides a sense of scale, while curated views through windows on three sides connect the occupants to the garden and the city beyond. The ensuite bathroom features a large soaker tub positioned to capture multi-directional views, completing this private, light-filled escape. A Dialogue of Materials The materiality of Junction Triangle House reflects its dual identity. Historic brick and warm wood tones pay homage to the 19th-century heritage, while contemporary stucco and stark, perforated metal introduce a crisp, modern edge. The result is a tactile journey through space where every transition—from a narrow, compressed hallway to a soaring double-height void—offers a moment of surprise. By bridging the gap between its storied past and a flexible future, Junction Triangle House stands as a model for urban renewal—a house that doesn't just house a family, but grows with them. About Creative Union Network Based in Toronto, Creative Union Network is a boutique architectural practice specializing in new builds and major renovations for residential and commercial spaces. Established in 2012 by Timothy Mitanidis and Claudia Bader, the firm operates as a multidisciplinary collaborative, combining international design expertise with a focus on "livable architecture." The studio is recognized for its detail-oriented approach to a wide range of projects, including private homes, commercial interiors, and specialized infill housing like laneway and garden suites. By balancing aesthetic inspiration with practical constraints, Creative Union delivers innovative, high-quality solutions tailored to its clients' unique lifestyles and goals. From initial zoning research to final construction, the firm remains dedicated to creating meaningful spaces through clear communication and a shared pursuit of excellence. Would you like to visit more projects about the Creative Union Network? Click here!

This renovation, located along the Nassagaweya Esquesing townline in Halton Hills, is a masterclass in structural transformation and material cohesion. Image courtesy of: Ash Adams By reimagining the main level’s footprint and flow, the project balances high-end modern finishes with the rugged, organic character of the home’s original stone features. Located on the scenic Nassagaweya Esquesing townline in Halton Hills, this comprehensive main-level renovation represents a profound evolution of space, light, and materiality. The project sought to honour the home’s rugged, pastoral roots while introducing a sophisticated, contemporary vocabulary defined by seamless transitions and high-contrast finishes. Architectural Liberation The transformation began with a bold structural reconfiguration. To achieve the clients' vision of an expansive, interconnected floor plan, a new structural beam was engineered and installed within the kitchen. This intervention allowed for the removal of a restrictive load-bearing wall, effectively merging the culinary, dining, and living zones into one fluid Great Room. The sense of volume was further enhanced by a meticulous replacement of all windows and exterior doors, flooding the interior with natural light and framing the verdant Halton Hills landscape as a living mural. The Culinary Epicentre The kitchen was designed to be the undisputed "star of the show." At its heart lies a monumental central island, catering to the clients' desire for a vast social hub. The cabinetry pushes the boundaries of traditional design through the use of porcelain cladding: The Upper Canopy: The upper cabinets are wrapped in a dramatic, marble-veined porcelain that provides a weightless, stone-like elegance. Symmetry in Detail: This porcelain motif is mirrored in a custom waterfall detail on the island, creating a sophisticated visual dialogue between the horizontal and vertical planes. The Backdrop: A book-matched porcelain backsplash serves as a high-impact focal point, bridging the gap between the dark, rift-cut wood lowers and the ethereal uppers. A Dialogue of Texture While the kitchen commands attention, the surrounding spaces ensure the home remains grounded. The design team curated a palette specifically to complement the existing stone masonry, ensuring the new elements felt like a natural extension of the home’s soul. Underfoot and Overhead: New wide-plank flooring provides a warm, organic foundation, while the white-washed shiplap ceiling details add architectural rhythm to the vaulted heights. The Grand Transition: A striking, dark-stained, curved staircase serves as a sculptural anchor. Set against a delicate, botanical-inspired wall covering and illuminated by a cascading globe chandelier, it provides a moment of transition that is both moody and ethereal. By balancing the weight of natural stone with the precision of porcelain and glass, this Nassagaweya Esquesing renovation elevates the concept of open-concept living. It is a home that feels both grand in its proportions and intimate in its details—a true sanctuary for the modern connoisseur. Discover more about the Townline Project About Parade Design Studio Image courtesy of: Ash Adams Parade Design Studio is a premier, full-service interior design firm based in Toronto and the GTA, dedicated to transforming residential spaces through a blend of timeless aesthetics and practical, lifestyle-driven planning. Guided by the philosophy that great design should transcend fleeting trends, Parade Design Studio creates cohesive environments that are as functional as they are beautiful. Their approach is anchored by meticulous space planning, ensuring that every renovation or new build begins with a solid foundation. Parade Design Studio distinguishes itself through a commitment to collaboration and intention. By taking the time to understand a client's lifestyle, the firm delivers personalized spaces that reflect the owner's personality while maintaining architectural integrity. Whether it is a "monthly micro-decision" or a structural change, Parade acts as a leader, keeping projects organized, calm, and on track.