top of page

From Fire Station to Center Stage: The Rebirth of La Caserne

  • 5 days ago
  • 4 min read

Updated: 4 days ago

Nestled in the heart of the UNESCO World Heritage district of Old Quebec, a historic building is embarking on an exciting new chapter. La Caserne, originally built in 1912 as a fire station and famously expanded in 1996 for Robert Lepage’s artistic laboratory, Ex Machina, has been transformed once again. Now home to the youth theatre company Les Gros Becs, this iconic space has been reimagined as a vibrant cultural hub designed specifically for young audiences.


From Fire Station to Center Stage: The Rebirth of La Caserne.
Historic and modern buildings side by side under a gray sky. Leafless tree branches frame the scene. People walk on the snow-lined sidewalk.
Image courtesy of: James Brittain

The new design required expanding the site to include a 350-seat theatre and a multifunctional hall, all while respecting the deep historical roots of the surrounding city. The result is a masterclass in architectural storytelling—a smart, engaging space where the past and the future meet.


A Dialogue Between Old and New

The vision for the new La Caserne was built on conversation: a dialogue between the historic city and modern design, between the old fire station and the new theatre, and—most importantly—between the building and the youth it now serves.


The transformation begins right at the street level. At the corner of Dalhousie and Barricade streets, a newly created piazzetta adorned with public art serves as a lively gathering space. It opens up the site to the surrounding landmarks, including the Musée de la Civilisation and the St. Lawrence River. The new additions feature clean, sober lines that act as a quiet backdrop, allowing the historic fire station—and its striking tower—to shine as a proud landmark in the city’s skyline.



A Welcoming Journey

To connect the public entrance on Dalhousie Street with the school group entrance on Bell Street, the architects carved a smart, open pathway straight through the preserved buildings.


To signal the building's fresh, youthful identity, visitors are greeted by a striking blue glass door, paired beautifully with the original wooden doors. Once inside, the floor continues this vibrant blue theme, a subtle and poetic nod to the nearby St. Lawrence River flowing just outside.


As visitors move through the heart of the foyer, an open staircase guides them upward, kicking off a playful and engaging journey:

  • The Reveal: As you climb the stairs, the historic fire station tower gradually reveals itself through a beautifully glazed lantern ceiling.

  • The Reading Room: Located on the second floor of the original fire station, this space is flooded with natural light from the building's tall, historic windows.

  • The Multifunctional Hall: Up on the third floor, dormer windows pierce the west-facing roof, drawing natural light into the foyer, while a small triangular terrace offers administrative staff sweeping views of the river.



Colours and Reflections

The interior spaces are designed to capture the imagination of young audiences while paying respect to the original architecture.


The designers achieved this through a clever use of materials and colours:

  • Ground Floor: Mirrored stainless-steel walls reflect the movement of excited theatre-goers and mimic the grey stone of the original building.

  • Second Floor: A metallic copper finish beautifully resonates with the historic orange brick of the original walls.

  • Third Floor: Metallic gold tones and warm wood cladding answer the original wood of the historic roof.


At the very center of the project lies the new theatre hall itself, which wraps its audience in a cozy, inviting atmosphere using four distinct shades of wood.



Built for the Future

La Caserne isn’t just beautiful; it is deeply rooted in sustainability. The architects embraced an ecological concept known as circularity—the practice of reusing and recycling existing resources rather than starting from scratch.


Instead of tearing down the past, the new project integrates, renovates, and restores both the 1912 fire station and the 1996 Ex Machina building. The existing concrete and steel structures were preserved and strengthened, and the black granite from the previous building's exterior was carefully recycled. Finally, the new modern glass envelope was built with high-performance energy systems, ensuring that La Caserne is as durable and eco-friendly as it is stunning.



By blending rich history with playful, sustainable modern design, the new La Caserne stands ready to inspire the next generation of theatre lovers for decades to come.

Project Details

  • Project name: La Caserne – scène jeune public

  • Location: 103 Dalhousie Street, Quebec - 110 Bell Street, Quebec

  • Client: La Caserne – scène jeune public

  • Architects: SBTA Inc., Delort and Brochu Architectes

  • Project team (design and construction): Dino Barbarese, Vladimir Topouzanov, Sophie Trépanier-Laplante, Christopher Dubé, Marc Pape, Anna Zakharova, Louis-Guillaume Paquet, Flavia Socol, Julien Denault, Geneviève Deguire, Cédric Delort, Jean Brochu, Caroline Vinatier, Ghislain Dubé, Hugo Sénéchal, Caroline Lévesque, Léa Pasquet, Jonathan Estrade, Pierre Lépine

  • Structural/Civil: NCK Inc.

  • Mechanical/Electrical: Dupras Ledoux Inc.

  • Scenography: Trizart Alliance

  • Acoustics: Bouthillette Parizeau

  • Vertical transportation: JMCI Inc.

  • Project management: WSP

  • Artist (1% program): Jean-Robert Drouillard

  • General contractor: Les Constructions Béland & Lapointe

  • Construction budget: $24,672,000

Founded by Mario Saia in 1968, with Dino Barbarese and Vladimir Topouzanov joining as partners in 1987 and 2002, respectively, Saia Barbarese Topouzanov Architects is a firm dedicated to the practice of architecture and urban design.


Clear concepts that structure even the most complex projects, the sense of conviviality they foster, the presence of light, and a contemporary architectural vocabulary all characterize the firm’s work. The office has diverse expertise in urban projects, collective housing, and institutional projects (universities, sports centers, theatres, etc.).


Since 2013, Dino Barbarese has worked primarily as a Project Architect, and Vladimir Topouzanov as a Design Lead.


Saia Barbarese Topouzanov Architects has completed numerous projects that have been recognized for their integration with the environment, quality of design, respect for the human scale, and operating efficiency. The most important Canadian, Quebec, and local organizations devoted to architecture and patrimony conservation have rewarded the firm with numerous prizes, including the Gold Medal from the Royal Architectural Institute of Canada, two Governor General’s Medals, and fifteen awards from the Ordre des architectes du Québec. Recognition of the firm also includes a Hue Award (San Francisco) and Wood Design Magazine; two Best of Canada Design Awards, Mitra Milan, and seven awards from Save Montreal and the Royal Architectural Institute of Canada.


The firm’s projects have also been featured in publications in Canada and abroad, including in Argentina, Australia, Belgium, China, France, Germany, Holland, Italy, Korea, Russia, Spain, the United Kingdom, and the United States.

Press release source: v2com-newswire

Latest Article

bottom of page