Homage to Aker: A Landscape that grew from its surroundings
- Feb 4
- 4 min read
Updated: Feb 5
In collaboration with: TKL Design
This project is an exercise in architectural restraint and environmental symbiosis, situated within a rugged, forested West Coast site. Drawing deeply from the lineage of mid-century modernism—specifically the architectural foundations of Sharpe Thompson, Berwick and Pratt and subsequent work by Michael Lightbody—the design treats the landscape not as a backdrop, but as a primary building material.
By utilizing native timber, bedrock, and living moss, the intervention blurs the distinction between the "designed object" and the natural occurrence.
The site is anchored by a central, site-specific sculpture by artist David Spriggs titled AKER ("Guardian of Entrances"). This radial epicentre organizes the flow of the property, dictating sightlines and circulation through a sequence of slow reveals. Pathways carved from stone and softened by organic moss joints lead inhabitants through a curated landscape of bamboo, vine maples, and ferns, creating a seamless transition between the built environment and the local fauna.
Ultimately, the project honours the Genius Loci—the protective spirit of the place. Through low-profile integration and a commitment to materiality, the design achieves a state of "inevitability," where the architecture and landscape breathe in unison with the forest.
Project overview
Set quietly into its forested West Coast site, this project reads less as a designed object and more as a natural occurrence, something uncovered rather than imposed. Rooted in the language of quintessential West Coast mid-century modernism, the landscape and architecture work in tandem, drawing directly from native materials and the rhythms of the surrounding environment. Stone, moss, timber, and filtered light become the primary building blocks, creating a composition that feels inevitable, as if it has always belonged.
Materials and Site Integration
Solid bedrock anchors the project physically and emotionally, inspiring the design response for the broad stone steps and large stone flagstones that carpet the ground planes, all while the hardscape is gently softened by moss that spills organically into joints and edges. This deliberate integration blurs the boundary between hardscape and landscape, allowing pathways to feel carved rather than constructed. Moss becomes a living carpet, reinforcing the sense of calm that defines the West Coast modern ethos. No barriers, just natural elements flowing seamlessly, echoed and embraced by the constant flow of eagles, deer and squirrels.
Movement, Circulation and Plant Choices
At every turn, the design emphasizes movement through space rather than arrival at a single moment. Pathways unfold gradually, framed by bamboo, native evergreens, vine maples, ferns, and copious amounts of moss. The experience is sequential- views are revealed slowly, encouraging moments of pause. Low-profile lighting is integrated seamlessly into railings and ground planes, casting a warm, understated glow that enhances textures without competing with them.
Sculpture as organizer and unifier
At the heart of the project sits the sculpture, designed specifically by artist David Spriggs, which is the undeniable epicentre around which everything else orbits. Positioned as both destination and reference point, it operates as a connective element, visually and conceptually tying the landscape together. The radial form echoes outward, influencing circulation, sightlines, and spatial balance. From multiple vantage points, the sculpture appears partially concealed, then fully revealed, reinforcing its role as a quiet anchor rather than a dominant monument.
This central artwork does more than occupy space; it organizes it. Benches, pathways, and planted zones orient themselves in subtle response, creating a sense of cohesion that feels instinctive rather than forced. The sculpture becomes a moment of contemplation—an abstract complement to the organic softness of moss and foliage— it belongs fully to its surroundings, framed by bamboo and stone, it floats on the bedrock as though it emerged from it.
Architectural Context
Architecturally, the residence, originally designed by Sharpe Thompson, Berwick and Pratt, with additions later designed by architect Michael Lightbody, embodies the ethos of mid-century modern principles. Everything about the site, the architecture, and the landscape design inhabits a quintessential west-coast-inspired vibe. Clean mid-century lines are softened by natural materials and deep overhangs, allowing the structure to sit lightly within the landscape. Timber cladding weathers gracefully, while large openings dissolve the boundary between inside and out. The landscape does not compete with the architecture; it participates in and with it.
Spirit of place
Ultimately, the guiding design principle for the project lies in restraint. Nothing feels over-designed or overly precious. Every material choice, every alignment, every transition is guided by site-specific inspiration that embodies West Coast mid-century modernism —quiet, grounded, and deeply connected to place. The primary goal was to design a landscape that reflected the Genius loci, Latin for "spirit of the place,” the protective, guardian spirit of a specific location. In celebration of that spirit, the sculpture is aptly named “AKER” or “Guardian of Entrances”. The result is a landscape that doesn’t just occupy its site but grows from it and breathes with it.
Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design Project AKER ("Guardian of Entrances"). Image courtesy of: TKL Design
List of credits
Original Architect: Sharpe, Thompson, Berwick and Pratt
Updates and Additions by Architect: Mike Lightbody
Landscape Design by TKL Design Inc.
Sculpture by: David Spriggs (AKER: Guardian of entrances, Portals through time)
Art Consultant: Paul Kyle Gallery
Estate Manager, Project Coordinator, Project Manager: Natasha Manchester
GC of Construction: Markus Behm of MBZ Contracting
Landscape Installation: Great Canadian Landscape Company
Lighting Consultant/Installation: Kyle Perry, David Bono - Bono Electric
Custom wood furniture: Andres Schneiter
Stone Supplier: Adera Stone
Canopy supplier: Atria
All Photography by TKL-Design Inc.
